Community After Tragedy

One Friday in November, I began a journey fromwhile seeing the expressed pain and anguish was
New Jersey to downtown New York City to visitsomething else. In my past communication with
old work friends. It was my first visit since thecommuters, yes, we would talk, but often to
tragic September 11th attack. Although I'vesimply kill time. Now it was evident we were part
traveled this same route--the commuter train toof the same "family".Once he found out I was a
the Hoboken station from 1996-2000--there weredrummer, and I found out he was a keyboard
now, of course, changes in the environment whenplayer, the tone took a tremendous upward shift.
I got to Hoboken.For one thing, it was the firstIt was amazing how that shift even allowed us to
time I had to ask a fellow commuter how I wouldget into specifics. We were now glowfully
get downtown from the Hoboken train station, asdiscussing drum techniques such as Steve Gadd's
in the past, I always took the path train to thework on "Aja", and Jeff Porcaro's hi-hat sound
WTC. I began to ask a commuter, and that'sand groove from "Rosanna". I began to explain
when I noticed the next big change: A greatsome hand technique including the moeller stroke.
sense of relatedness and unity amongstWe started to laugh at the similarity, joy and
commuters. Not that we were void of any senseappreciation we had! One can now sense that we
of that in the past, but now we were faced withhad come to relate to one another on two
a massive perspective shift: As a whole, we'velevels.No experience can ever erase our
experienced a never-expected nightmare to ourSeptember 11th tragedy. However, the friendly
previously-thought "invincible" New York City.Theenvironment change I witnessed between NYC
first gentleman I spoke to was extremely helpfulcommuters now was actually heartening. And, in
and more than willing to offer his help on how Ithe case of the conversation I had with this
would now get downtown. His knowledge and lovesecond gentleman, drums were a vehicle that
for the city was evident.Then another gentlemansignificantly uplifted the mood of our conversation
came up to me and began speaking. This second-- which, especially for this gentleman -- brought
conversation I had really reinforced my convictionhim a temporary escape from his painful, visual
of the universality and positivity of drumming.memories.We know how widespread the positive
Make no mistake: The conversation began in aeffect of drums is. Is it any coincidence that
dark tone, as he depicted to me his firsthanddrums are now being linked to health more and
witnessing of September 11th. This man is anmore? Or why REMO has a department called
employee of a large corporation located a fewHealth Rhythms? Or why there are programs
blocks down from the WTC. Yes, I've heardsuch as Drums not Guns and Drumming for
some details on the news and through casual talkSuccess? Or why Dom Famularo and Zoro have
previously. But to hear it from someone firsthand,such an inspirational effect?